Showing posts with label Studio. Show all posts
Showing posts with label Studio. Show all posts

Monday, May 21, 2012

NEW DUAL KEYBOARD STAND - X type - Double Braced Studio

NEW DUAL KEYBOARD STAND - X type - Double Braced Studio Review



NEW DUAL KEYBOARD STAND - X type - Double Braced Studio Feature

  • This holds 2 full size electronic Keyboard pianos.
BRAND NEW - X Type Dual Keyboard Stand!

Holds 2 full size electronic Keyboard pianos.

Overall height is adjustable.
The top tier of the stand is not height adjustable.

Studio Model stand. Also works well for live stage environments.

Great Deal!


Tuesday, May 8, 2012

CAD GXL2200SP Studio Condenser Mic Recording Pack

CAD GXL2200SP Studio Condenser Mic Recording Pack Review



CAD GXL2200SP Studio Condenser Mic Recording Pack Feature

  • GXL2200
  • GXL1200
  • EPF15A pop filter
  • Shock mount, mic clip
The GXL2200 is great for recording studio vocals, voice-overs, choirs, acoustic instrument, strings, piano, cymbals, or as an overhead microphone. The GXL1200 is best used for recording choirs, orchestras, acoustic instruments, guitar cabinets, strings, piano, cymbals, hi-hat and, also as an overhead microphone. Together, they make a great pair for all of your recording requirements. The GXL2200 is a large diameter, fixed cardioid pattern, condenser microphone. High sensitivity and low distortion make this microphone an ideal candidate for recording, broadcast, sound reinforcement including vocal and instrument applications. The capsule in the GXL2200 features a 1 inch gold vapor deposited diaphragm. The GXL2200 requires standard 48-volt phantom power and comes with a swivel mount that will fit any standard 5/8 inch x 27 threaded microphone stand. The swivel mount can be removed by unscrewing the knurled ring on the bottom of the microphone. The GXL2200 microphones are audio tested and inspected under the direction of CAD Professional Microphones, offering an exceptional level of value.


Saturday, January 28, 2012

Behringer C-1 Studio Condenser Microphone

Behringer C-1 Studio Condenser Microphone Review



Behringer C-1 Studio Condenser Microphone Feature

  • Professional large-diaphragm condenser microphone for unsurpassed audio quality
  • Ideal as main and support microphone for studio and live applications
  • Exceptionally flat frequency response and ultra-high sound resolution
  • Cardioid pickup pattern for outstanding sound source separation and feedback rejection
  • Ultra low-noise transformerless FET input circuitry
The C-1 is a cardioid condenser microphone designed to capture your sounds with incredible realism, sensitivity and accuracy. This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

Designed to capture your sounds with incredible realism, sensitivity and accuracy. Click to enlarge.

Includes rugged foam-padded carrying case and swivel mount.

View polar pattern and frequency response. Click to enlarge.

What is a Condenser Mic?
Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped BEHRINGER XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

Why the C-1?
The C-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its cardioid (heart-shaped) pattern, the C-1 microphone picks up your source signal while rejecting off-axis sounds that can ruin an otherwise perfect recording. With its pressure-gradient, shock-mounted transducer and gold-plated XLR output, the C-1 is very neutral sounding and truly delivers on the promise of noise-free transmission.

With its exceptionally flat frequency response and ultra-high sound resolution, it's perfect for perfect for acoustic instruments, overhead, piano, and plenty more.

Built to Last
The C-1 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. We also included a swivel stand mount so it can be affixed to your studio's mic stands.

C-1 Specs

  • Transducer Type: Condenser, 16 mm
  • Polar Pattern: Cardioid
  • Connection: Gold-plated balanced XLR connector
  • Open Circuit Sensitivity: -33 +/- 2 dBV (0 dBV = 1 V/Pa)
  • Frequency Response: 40 Hz - 20 kHz
  • Max. SPL (1% THD @ 1 kHz): 136 dB
  • Nominal Impedance: 100 ohms
  • Load Impedance: >1 kohms
  • Supply Voltage: +36 - 52 V
  • Supply Current: 2.5 mA
  • Dimensions: Shaft: 54 mm, length: 169 mm
  • Weight: Approximately 0.45 kg

What's in the Box
Behringer C-1 Studio Condenser Microphone, Carrying Case, User's Manual USB Studio Condenser Microphone


Friday, December 30, 2011

Audio Technica AT2041 Studio Microphone Package

Audio Technica AT2041 Studio Microphone Package Review



Audio Technica AT2041 Studio Microphone Package Feature

  • The price/performance standard in side-address studio condenser microphone technology
  • Ideal for project/home-studio applications
  • High SPL handling and wide dynamic range provide unmatched versatility
  • Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build. The critically acclaimed AT2020 side-address condenser is ideal for vocal and instrument applications, while the new AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano. Audio-Technica's stringent quality/consistency standards set both microphones apart from other mics in their class. Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a microphone clip and protective pouches.

AT2020 Side-address cardioid condenser microphone

  • The price/performance standard in side-address studio condenser microphone technology
  • Ideal for project/home-studio applications
  • High SPL handling and wide dynamic range provide unmatched versatility
  • Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
  • Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

Click to view AT2020 polar pattern and frequency response.

AT2021 Small-diaphragm cardioid condenser microphone

  • Ideal for acoustic guitar, overheads, piano and group vocals
  • Condenser design for studio-quality vocal and instrument applications
  • Excels in high-SPL applications
  • Extended response for smooth, natural sonic characteristics
  • Low-mass element for superb transient response
  • Corrosion-resistant contacts from gold-plated XLRM-type connector
  • Rugged design and construction for reliable performance
  • Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

Click to view AT2021 polar pattern and frequency response.

Now with SONAR LE
The AT2041SP now comes bundled with Cakewalk's SONAR LE feature-rich recording software for musicians using PC-based recording. SONAR LE provides a cutting-edge music production studio, giving users what they need to get started creating music on Windows XP, X64, or Vista PCs.

One-Year Warranty
Get extra peace of mind with Audio-Technica's one-year limited warranty on both mics.

What's in the Box
AT2020 Side-address cardioid condenser microphone, AT2021 Small-diaphragm cardioid condenser microphone, SONAR LE recording software, stand mount for the AT2020, stand clamp for the AT2021, Two protective pouches


Saturday, October 29, 2011

M-Audio Pulsar II Small-Diaphragm Studio Condenser Microphone

M-Audio Pulsar II Small-Diaphragm Studio Condenser Microphone Review



M-Audio Pulsar II Small-Diaphragm Studio Condenser Microphone Feature

  • full-size, professional-grade controllers^all hardware controls are pre-mapped to corresponding software functions in Torq^cue, beat-match and mix digital audio files (including MP3, AIFF, WAV, WMA, Apple Lossless and AAC)^Mac and PC compatible^organizes digital audio files (including iTunes library) into an easily searchable database
  • 10dB pad and 80Hz high-pass filter switches
  • Full-size, professional-grade controllers
  • Beat-match and mix digital audio files (including MP3, AIFF, WAV, WMA, Apple Lossless and AAC)
The redesigned Pulsar™ II small-diaphragm cardioid condenser microphone takes M-Audio’s pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, this precision microphone exhibits quality comparable to that of vintage classics. New features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II has many applications, including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking and more.

M-Audio microphones deliver the same commitment to excellence that recording pros around the world have come to trust with our Studiophile reference monitors, Pro Tools-compatible audio interfaces and more. M-Audio microphones bring new tonal options to the sonic palette of even the most sophisticated mic lockers. Models like the M-Audio Sputnik are turning the heads of top audio engineers and press—including winning Pro Audio Review’s Reviewer’s Pick and Electronic Musician’s prestigious Editors’ Choice Award. If you’re serious about your sound right from the beginning of your recording chain, then you owe it to yourself to give M-Audio microphones a listen.

Singles or Matched Sets
The Pulsar II is available individually or as a matched set with only ±1dB tolerance from the excellent published frequency response curves—which extend from 20Hz to 20kHz. This makes the Pulsar II mics ideal for stereo room miking, stereo overheads and similar applications where balance and imaging is key.

Pulsar II—The New Classic
Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, these precision instruments exhibit quality that is regularly compared to that of vintage classics. In fact, many top Los Angeles session engineers have likened the Pulsar II to the Neumann KM84—and its replacement KM184—only with more open top end similar to Schoeps.

Flexible New Features
The Pulsar II can adapt to many recording and live situations. The 12dB/octave high-pass filter reduces low-frequency rumble and the potential for overloading mic preamps with low-frequency signals. The Pulsar II also handles higher SPLs—an overall 2dB boost thanks to a new thermal diaphragm treatment, plus a new 10dB switchable attenuation pad.

Specifications

  • diaphragm:¾" diameter, 6-micron Mylar
  • backplate: solid brass
  • electronics: Class-A FET (transformerless)
  • frequency response: 20Hz-20kHz
  • sensitivity: -37dB @ 1kHz, 0dB=1V/Pa (13.8 mV/Pa)
  • max SPL: 134dB at 0.5% THD, 144dB with 10dB pad
  • equivalent noise: 16dBA
  • pattern: cardiod

The redesigned Pulsar II small-diaphragm cardioid condenser microphone takes M-Audios pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, this precision microphone exhibits quality comparable to that of vintage classics. New features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II has many applications, including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking and mor